
is an artist, filmmaker, and researcher based in London. His work explores the political ecologies of contemporary production through performative films and installations that engage with agricultural systems, automation, and animal infrastructures. He has exhibited at Tate Modern, Whitechapel Gallery, Fundació Joan Miró, Centre Pompidou, and the Venice Biennale.
Gerard Ortín Castellví’s trilogy of films investigates the intersections of moving images and food technologies. Each film focuses on a different regime of production and consumption, from automated agriculture and logistics infrastructures to speculative future diets. Ortín Castellví examines how cinematic language can reveal the hidden machinery of food systems, exposing the entanglement of biological processes and global distribution chains. Through precise visual strategies, his work stages the uncanny choreography of plants, machines, and humans caught in circuits of production. Together, these films propose a critical reflection on how images and ecologies of food are shaped by technological control and capitalist speculation, while also leaving space for imagining alternative forms of nourishment and coexistence.
Bliss Point (2023) Digital Video. Apple ProRes 4444. Video 4K. 16:9. Colour, Stereo sound. 26 min. Courtesy of the artist
Agrilogistics (2022) Digital Video. Apple ProRes 4444. Video 2K. 16:9. Colour, Stereo sound. 21 min. Courtesy of the artist
Future Foods (2021 Digital Video. Apple ProRes 4444. Video 2K. 16:9. Colour, Stereo sound. 21 min. Courtesy of the artist
LOCATION: Arheološki muzej Istre (Archaelogical Museum of Istria)
























